Ridley Scott has been typically dismissive of critics taking issue with his forthcoming movie Napoleon, particularly French ones.
While his big-screen epic, starring Joaquin Phoenix as the embattled French emperor with Vanessa Kirby as his wife Josephine, has earned the veteran director plaudits in the UK, French critics have been less gushing, with Le Figaro saying the film could have been called āBarbie and Ken under the Empire,ā French GQ calling the film ādeeply clumsy, unnatural and unintentionally clumsyā and Le Point magazine quoting biographer Patrice Gueniffey calling the film āvery anti-French and pro-British.ā
Asked by the BBC to respond, Scott replied with customary swagger:
āThe French donāt even like themselves. The audience that I showed it to in Paris, they loved it.ā
The filmās world premiere took place in the French capital this week.
Scott added he would say to historians questioning the accuracy of his storytelling:
āWere you there? Oh you werenāt there. Then how do you know?ā
What a dumb response. Thereās nothing wrong with tweaking history to improve a story, but claiming āIt could be true. Who really knows?ā is just pretentious puffery. Like the entirety of historical study around Napoleon is equivalent to Ridley Scottās made up stories. What a tool.
š That response sounds like moron creationists when you explain evolution to them.
Not sounds like, literally is. That was the crux of Ken Hamās argument when he debated Bill Nye. Iām not sure why he doesnāt apply it to his own Bible.
Big ādo your own research!ā energy.
Ok, but hear me out. What if: aliens?
Thatās James Cameron.
Second thing is age. Phoenix is 49. Bonaparte died at 51, after six years exile on Saint Helens. You can say what you want, Phoenix does look the part, but itās easy too old.
Just like Dafoe playing van Gogh itās just not right.
On the other hand, I think a Hollywood actor with the benefit of modern medicine has probably aged better than someone with a particularly stressful job in the 18th/19th century
To a point. But twenty years is quite significant. If any itās more miraculous that Napoleon archieved what he did when he was in his early thirties.
To portray that correctly would be an hommage.
Plus I donāt really like the fact that older established actors get all these character roles. I mean I get it, but I donāt like it.
Eh, do we really need to pay so much homage to a warmongering autocrat?
It certainly makes for interesting history but we donāt need to lick up to them.
Maybe an hommage was too grand a word. I prefer less aggrandizing versions of his story like āblundering to victoryā which make the case that he only prevailed due to the ineptitude of his opponents and insight of his generals (mainly Davout).
However the minuteness of changes he had and the gall necessary to actually realize what he archieved are worthy of a story. Itās a definite case of reality being stranger than fiction.
I donāt really care about that. If it makes for a good movie, then why should it matter? Itās his attitude about it all thatās uncalled for.
Fair enough, I just think itās silly and an exemplar of Scott not giving a monkeys about the historical person.
A valid answer from Ridley would be that his adaptation makes for a better story and thatās acceptable. But blowing off the historians like that is pretentious.
Exactly
I mean, itās a Hollywood movie telling a storyā¦ if you care about 100% historical accuracy, Hollywood is not who youāre getting it from, nor should you expect it at this point. Itās entertainment, not education.
I donāt expect it, however I do really appreciate it when they make an effort.
Should have gone with Steve Buscemi?
Hah!
This is just pure arrogance. I think everyone understands you can take artistic licence, or even completely disregard history and do pure fiction, but donāt go claiming you know the history better than historians.
Iām just afraid, based on the critiques, that he has made it into MTVās Real World Napoleon.