• Netman@lemmy.dbzer0.com
    link
    fedilink
    English
    arrow-up
    3
    ·
    1 year ago

    Youtube is a pretty good example of where the copywrite striking has gone absolutely bonkers. People have to strike their own videos so ensure that a strike against them won’t just take all of their ad revenue.

  • blazera@kbin.social
    link
    fedilink
    arrow-up
    4
    arrow-down
    1
    ·
    1 year ago

    people with more money than they’ll ever spend complaining about theoretical revenue for something they didnt make. Abolish copyright.

  • FinalBoy1975@lemmy.world
    link
    fedilink
    English
    arrow-up
    2
    ·
    1 year ago

    As a published author, I have to say that yes, indeed, copyright laws have turned corporations into participants in a “copyright industry.” It’s true that a creator’s livelihood relies on people buying their work. It’s also true that a creator’s livelihood depends on the dissemination of their creations. The more you’re in circulation, the better off you will be. Corporate greed and defending the bottom line under copyright law is getting ridiculous. It really puts limits on the scope of a creator’s success. This is why there are creators out there like me who do not mind piracy. When I’m dead, if I wrote something important, I hope future people will be able to see it. I’m pretty sure that whatever I wrote isn’t all that significant, but who knows? Maybe it will be. What I’m getting at: It’s becoming a real problem for documenting the history of human material culture, when you think about it. Corporations are controlling and guarding the human material culture. Their goals work contrary to the goal of the historians and archaeologists of the future. Corporate greed is preventing future people from understanding their past.

    • Trebach@kbin.social
      link
      fedilink
      arrow-up
      2
      ·
      1 year ago

      “John Larkin” by John Larkin only has two copies in existence, one by his widow and the other by an unknown person. If that name seems unfamiliar, it’s because he later became more famous as Scatman John.

      It was recorded in 1986 but due to current US copyright law, it won’t enter public domain until December 3, 2069.

      There’s a few copies floating around on YouTube and a FLAC version as a torrent. Pirates are keeping his legacy as a jazz performer alive.